Friday, December 31, 2010
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Ultimo giorno del 2010: un anno è tramontato, insieme a questa splendida giornata di sole...
Le cose 'ultime' hanno un sapore particolare anche in musica, specialmente quando sono doni inaspettati della sorte. Mi viene in mente l'ultimo Lied composto da Richard Strauss. Che non è Im Abendrot, culmination of Lezte Vier Lieder , but a page of dreamy sweetness, Malven.
History Malven is exciting and adventurous. Dated November 23, 1948, was composed as a tribute to the singer songwriter Elder Moravian Maria Jeritza, who played many roles in his musical dramas (including the rugged Salome). The dedication reads "To my friend Maria, the latter rose" and in effect between the two seems that there was much more than a mutual professional respect. Jeritza jealously guards the secret of this liaison, as well as their last respects to the great composer, who died in 1949.
Many decades later, early eighties, began to leak news of the existence of a song that was to seal the production of Strauss, but Jeritza first denied, then took his time, finally agreed to the public performance of the piece - as long as it took place after his death occurred in 1984. Then, when his estate was auctioned, Zubin Mehta tried to win the song, but was beaten by a mysterious buyer.
After many searches, it was discovered that it was New York philanthropist, well-prepared to make known to the world Malven. Did not end here, of course, because the copyright was called into question the heirs of Strauss and the poet Swiss author of the text of the Lied, Betty Knobel. After much negotiation and some transvolate ocean Malven was performed in New York January 10, 1985. The New York Philharmonic was led by Zubin Mehta, who finally saw the culmination of a dream long cherished, and the New Zealand soprano Kiri Te Kanawa (will post later a video that talks about the song, before you run it with Georg Solti.
Malven does not have the scale nor the beauty of transfigured Vier Lieder Lezte , with which Strauss wanted to conclude his public activities as a composer. His lulling pace and the constant changing colors of harmony evokes the delicate grace of the flowers they are talking about the verses of Knobel: single flowers, "fragrance free", similar a pale face streaked with tears, swaying in the wind as humble servants of the summer.
The quiet sweetness of Malven peacefully with me in this new year I wish, me and you, full of music and happiness.
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Thursday, December 30, 2010
Why Period Color Is Chocolate
Rai From the archives reveals a valuable unpublished paper on Jacqueline Du Pré.
This is a video which involves the English cellist, lamented in the Sonata in F Major, Op. 99 by Brahms (1886). At the piano, Daniel Barenboim (with the exception of a Page Turner: Pinchas Zuckerman)
E 'extraordinary complementarity between the two soloists. How passionate and 'overflowing' Du Pré, Barenboim is so measured and clear. In both, however, the chisel work of the sentences is fine.
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Wednesday, December 29, 2010
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You thought that pass over in silence the Valkyrie on the Scale? Mais non, parbleu ! The fact is that I was able to listen only on the day of St. Stephen, in reply to Rai5 providential. Before I had to settle for a few clips on YouTube, however, that already gave an idea of \u200b\u200bhow the evening went, from the infamous Barneboim appeal in defense of Italian culture with the spell of fire Brünnhilde who becomes the lamp. On YouTube, among other things, a noted commentator on the web shocked that the winds were not as sharp as those of the Met under the guidance of Levine ... with the moonlight that there are around here - one might venture - is already so long that the orchestra does not Facciani trumpet with unconventional instruments ... However, if the quality of the winds Americans do not even discuss (it's tradition) it is true that the Italians would have set a Oricalco dovuto averla (come pure, ma per altre ragioni, quel violinista che in prima fila ruminava vistosamente il chewingum: non lo permetto ai miei alunni, figurarsi se lo ammetto alla Scala).
Quanto all'interpretazione e alla caratura dei cantanti, mi trovo sostanzialmente d'accordo con Daland nel suo sempre denso e arguto blog Proslambanomenos. Sentendo Siegmund viene davvero voglia di gridare "Aridatece l'Heldentenor!", però il resto della compagnia tiene bene e la musica, be', la musica è maledetta: ti seduce e ipnotizza inchiodandoti alla poltrona in barba alle magagne, smuovendo tutti i sentimenti e le emozioni in dotazione al genere umano. C'è l'amore, quello viscerale, che riscatta l'esistenza più mutually complementary in the dark, there's revenge, resentment, fear, the conflict between necessity and mercy ... All this makes the Valkyrie episode perhaps more human whole tetralogy. And it's all a crescendo, the storm that opens the play to the poignant farewell to the beloved daughter of the god Wotan. The magic of fire that surrounds his body is one of the miracles of music history ...
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On December 29, 1876 was born in Catalonia Pau Casals i Defilló (better known to the Castilian variant Pablo Casals, whom he openly rejected), one of the most celebrated cellists of Twentieth century.
After beginning his musical training with his father, organist (even though it had earmarked for a future as a carpenter) and in major conservatories in Spain, in 1895 he moved to Paris, where he was first cello in the orchestra and soloist Orchestra of the Concerts Lamoureux.
He dedicated himself with passion for chamber music, especially in the famous trio founded in 1919 with Alfred Cortot and Jacques Thibaud. Casals was a bitter opponent of the Franco regime and any dictatorship, whether fascist or communist was. After the English Civil War took refuge in the French Pyrenees, in Prades, where in 1950 founded a Festival will become an important meeting place for musicians from all over the world.
Casals died in 1973. His name is linked to the Bach Suites, which was discovered accidentally at the age of thirteen years and stably introduced in the concert repertory a decade later. His recording of the suites, the first to be made, still remains a milestone. In this movie Casals performs the first suite in an ancient abbey French
But here we have an interesting fragment of a masterclass on the suites, which also shows his proverbial irony (the famous his line when, at ninety, still turned out to study three hours per day and "start seeing some improvement").
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Tuesday, December 28, 2010
Preview Of Rebozo Way
Hello everyone.
The best way to try to learn the mysteries of man is to listen, to converse with other people, preserving, much better than a book, the knowledge accumulated from their experiences (and not only that). The discussion leads to the emergence and develop the wealth of information in new ways, sometimes more effective than previous ones, in some cases overturning their convictions and beliefs. This inner revolution is because too often a knee-jerk reaction to defend against malfondate their ideas and this blind faith in the truth turns provocative, common sense in ostentation, the truth in artifice.
The reason is not the only means, perhaps, to get the truth so that the man always craves and I think that as long as you only confide in this or in their belief it is doomed to fail.
Frank
Saturday, December 25, 2010
Friday, December 24, 2010
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That, however, is even better, because the padding is enriched with dried flowers of lavender and chamomile. You should feel that while preparing perfume! The satisfaction, then, to wrap their hands with something so beautiful and so good is priceless. Not felt for a long time ... thanks, Claudia!
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Wednesday, December 22, 2010
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Which song is the famous Christmas Handel's Hallelujah?
Last year, if you remember, I had posted here a ' execution of this chorus is intended to strong stomachs. And so that you can just say it tasted all the sauces (including ketchup and mayonnaise) look here ... is it really true that music always amazes and anywhere
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Tuesday, December 21, 2010
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Sunday, December 19, 2010
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In 1882, Liszt published a collection of twelve pieces entitled "Christmas tree", dedicating it to his nephew Daniel. As the composer wrote to Princess Carolyn Sayn-Wittgenstein, these songs meant to be "simple echoes" of "youthful emotions", with no special demands virtuosic compositional sophistication or sophisticated.
But, you know, Liszt is a sort of King Midas who turns to gold (sometimes too gold) almost everything. So even this Christmas anthology is a succession of delicious goodies where peeps around the colorful world of the author. There are flashes of virtuosity (6. Carillon), parentheses tenderness (7. Lullaby), moments of childlike joy in pure Schumann (5. Lighting the candles on the tree), solemn prayers to the tune of old traditional songs (such as Psallite of 1 or Adeste fideles leading the march of the Magi No.4). There is even the melancholy of days beyond (No. 10, once) and a fiery tribute to Hungary (No. 11, In Hungarian Style) and Poland (No. 1 in the Polish style), country, respectively, author and Princess Caroline, with whom years earlier Liszt had reached a pitch from the altar.
On YouTube you can find all the songs, performed by an interpreter of choice Liszt, Leslie Howard. Here I propose to listen to the No 3, "The shepherds at the manger, where a soft ostinato" ministry "will accompany the traditional In dulci jubilo : if you do not feel the ending is a delight, where Liszt - an image of unbridled piano virtuosity - manages to evoke the innocent wonder a crib with two notes on the cross!
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Tuesday, December 14, 2010
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Sunday, December 19, 11.30, Casabianca will be inaugurated in the third exhibition of the cycle devoted to the comparison between three artists who started their research, respectively, in the eighties, ninety-two thousand. Luca Scarabelli, from some tiles taken from his study, presenta un progetto di autoritratto i cui vari elementi troveranno la forma compiuta solo nel momento del loro ingresso a Casabianca, lasciando quindi all’imprevisto la responsabilità di determinare il riconoscimento di sé in sintonia con una logica dello scostamento. Anche Marco Rambaldi con Opening stratifica un lavoro in divenire dove, coinvolgendo lo spazio e il pubblico dell’arte nei momenti delle inaugurazioni, innesca un meccanismo di autoreferenzialità che produce una mise-en-abime fra ciò che stiamo guardando e ciò che è stato già visto e agito. Michele Spanghero, impegnato in un percorso caratterizzato dalla ricerca sonora, invita i visitatori a modificare la propria esperienza della gallery, creating a second level of perception through the use of the structure of sensory Casabianca as a vehicle where you can blend vision and hearing.
Catalog Luca Scarabelli / Marco Rambaldi / Michele Spanghero, 12/19/2010
Sunday, December 12, 2010
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Olivier Messiaen, of course, was animated by a deep faith, who also provided the inspiration for much of his work.
In 1944, while violence raged on the war Paris, Messiaen wrote an impressive series of piano music of life more than two hours: These are Vingt Regards sur l'enfant Jesus . Debussy sounds in these songs are intertwined with complex compositional styles based on the use of leitmotif and manipulation of rhythmic-harmonic schemes. The result is enormous: the music of Messiaen transmits the force of passion that permeated his faith. In the song Première communion de la Vierge the enchanting sounds of birdsong crystal ornaments merge with the first heartbeat of the baby Jesus in his mother's womb creating a miraculous wonder.
even more rarefied atmosphere is created dall'impasto sapiente dei registri nelle composizioni organistiche di Messiaen (che infatti era organista di professione). In questo interessante filmato, il compositore improvvisa sul motivo gregoriano Puer natus est per interpretare le emozioni dei magi che, guidati dalla stella, si recano ad adorare il fanciullo divino.
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Thursday, December 9, 2010
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Il tuo blog è fermo esattamente a un anno fa. Il tuo volto mi sorride dalla pagina di Facebook. I tuoi racconti, le tue poesie ci saranno sempre.
Quanto mi manchi, amica mia. Quanto mi mancano la tua umanità, la tua intelligenza, la tua disperata volontà di guardare in faccia knowing that things would have crossed dangerously empty for many consciences.
Sometimes I try to believe you're on the road again, in one of those distant countries that you really like to peer with an ocean and the sun to caress your skin encrusted with salt.
In fact, this was your longest trip. And wherever you are, I hope you have found peace at last.
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Wednesday, December 8, 2010
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I had posted last year, but will take it back because it is one of the Christmas carols that I love most: the melody is beautiful, the text even more, with the beautiful image of the oak forest that genera rose laddove la Vergine partorisce suo figlio.
Maria went through a thorn forest, Kyrie eleison.
Maria went through a thorn forest, which has taken seven years in a leaf.
Jesus and Mary.
what Maria was wearing under her heart? Kyrie eleison.
A small child without pain that Mary wore at her heart.
Jesus and Mary.
have since worn the roses thorns. Kyrie eleison.
As the young child through the forest getragen, haben die from Dornen Rosen getragen.
Jesus und Maria.
Mary goes to a forest of oaks, Kyrie Eleison.
Mary goes to a forest of oak trees for seven years had not generated a leaf.
Jesus and Mary.
What brings Mary in her womb? Kyrie Eleison.
Maria brought a small child without pain. The shaking in his heart.
Jesus and Mary.
There the oaks have created roses. Kyrie Eleison.
When he raised the baby in the forest, the oaks have raised roses.
Sunday, December 5, 2010
اميلي18
* For those who want to learn about the Web is a inexhaustible source of information: from points to mesh tutorial videos that explain how to play an instrument, you can really indulge. One of the more interesting blog post Violinistivùvùvù dotcoms indicates a range of toys online for ear training and musical memory. For those who sing or play an instrument that needs to be given, this type of training is essential. And the other musicians ... too. Obvious that games like these have their limitations, but it can be nice to beat other ways besides the classical musical dictation.
For heading of music dedicated to Christmas, I propose to you a classic Advent (preferably one follows in the eighth before Christmas): the hymn Veni veni Emmanuel . This is a chant of the French XV century, on a text more ancient, perhaps dating from the eighth or ninth century. There are many versions created from this beautiful melody, especially in Anglo-Saxon countries, where the hymn is very popular (just look at how many versions on YouTube or as O Emmanuel ).
I propose the musical transposition of Zoltan Kodaly (pronounced Kodai, as it reminded me of my demanding teacher of choral singing!), Hungarian composer of the twentieth-century culture truly encyclopedic, that it worked very well in education, especially for choral music (the author of learning system based on speech "do mobile", filmed in Italy by Roberto Goitre). In his version of the ancient melody is covered with new harmonies with the effects of unprecedented beauty. And as for ear training must do well to sing this song ..
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Saturday, December 4, 2010
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Domenica 28 novembre, dalle ore 11,30, si inaugura a Casabianca la seconda mostra del ciclo dedicato al confronto fra tre artisti che abbiano iniziato la loro ricerca rispettivamente negli anni ottanta, novanta e duemila. Nel suo intervento, Patrizia Giambi innescherà una prassi cerimoniale di cui possono servirsi le comunità per non soccombere, quando sono gravemente minacciate da un destino avverso: la consumazione di un rito apotropaico, in un luogo dell’arte, con gente dell’arte, illuminerà una soglia da attraversare for a new beginning. Alessandra Andrini develops a long research to undermine the eyes of the average daily behavior to trigger a mechanism that produces a second level of thought. On this occasion, the usual comparison with the spaces of the city, replacing the one with the typical rural architecture as that of Casabianca. The three works by Daniela Manzolli pay homage to the artistic techniques through subtle rhetorical shifts: a video capturing the last remnants of an old song now becoming valuable sound document, installation of waste is generated by the production of a design that does not exist, small sculptures made with the traditional wax lost open to the territories of the readymade.
Catalog Patrizia Giambi / Alessandra Andrini / Daniela Manzolli, 11/28/2010