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Ultimo giorno del 2010: un anno è tramontato, insieme a questa splendida giornata di sole...
Le cose 'ultime' hanno un sapore particolare anche in musica, specialmente quando sono doni inaspettati della sorte. Mi viene in mente l'ultimo Lied composto da Richard Strauss. Che non è Im Abendrot, culmination of Lezte Vier Lieder , but a page of dreamy sweetness, Malven.

History Malven is exciting and adventurous. Dated November 23, 1948, was composed as a tribute to the singer songwriter Elder Moravian Maria Jeritza, who played many roles in his musical dramas (including the rugged Salome). The dedication reads "To my friend Maria, the latter rose" and in effect between the two seems that there was much more than a mutual professional respect. Jeritza jealously guards the secret of this liaison, as well as their last respects to the great composer, who died in 1949.
Many decades later, early eighties, began to leak news of the existence of a song that was to seal the production of Strauss, but Jeritza first denied, then took his time, finally agreed to the public performance of the piece - as long as it took place after his death occurred in 1984. Then, when his estate was auctioned, Zubin Mehta tried to win the song, but was beaten by a mysterious buyer.

After many searches, it was discovered that it was New York philanthropist, well-prepared to make known to the world Malven. Did not end here, of course, because the copyright was called into question the heirs of Strauss and the poet Swiss author of the text of the Lied, Betty Knobel. After much negotiation and some transvolate ocean Malven was performed in New York January 10, 1985. The New York Philharmonic was led by Zubin Mehta, who finally saw the culmination of a dream long cherished, and the New Zealand soprano Kiri Te Kanawa (will post later a video that talks about the song, before you run it with Georg Solti.

Malven does not have the scale nor the beauty of transfigured Vier Lieder Lezte , with which Strauss wanted to conclude his public activities as a composer. His lulling pace and the constant changing colors of harmony evokes the delicate grace of the flowers they are talking about the verses of Knobel: single flowers, "fragrance free", similar a pale face streaked with tears, swaying in the wind as humble servants of the summer.




The quiet sweetness of Malven peacefully with me in this new year I wish, me and you, full of music and happiness.

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A new video of Jacqueline Du Pré

Rai From the archives reveals a valuable unpublished paper on Jacqueline Du Pré.
This is a video which involves the English cellist, lamented in the Sonata in F Major, Op. 99 by Brahms (1886). At the piano, Daniel Barenboim (with the exception of a Page Turner: Pinchas Zuckerman)









E 'extraordinary complementarity between the two soloists. How passionate and 'overflowing' Du Pré, Barenboim is so measured and clear. In both, however, the chisel work of the sentences is fine.


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The Human Side of The Ring

You thought that pass over in silence the Valkyrie on the Scale? Mais non, parbleu ! The fact is that I was able to listen only on the day of St. Stephen, in reply to Rai5 providential. Before I had to settle for a few clips on YouTube, however, that already gave an idea of \u200b\u200bhow the evening went, from the infamous Barneboim appeal in defense of Italian culture with the spell of fire Brünnhilde who becomes the lamp. On YouTube, among other things, a noted commentator on the web shocked that the winds were not as sharp as those of the Met under the guidance of Levine ... with the moonlight that there are around here - one might venture - is already so long that the orchestra does not Facciani trumpet with unconventional instruments ... However, if the quality of the winds Americans do not even discuss (it's tradition) it is true that the Italians would have set a Oricalco dovuto averla (come pure, ma per altre ragioni, quel violinista che in prima fila ruminava vistosamente il chewingum: non lo permetto ai miei alunni, figurarsi se lo ammetto alla Scala).
Quanto all'interpretazione e alla caratura dei cantanti, mi trovo sostanzialmente d'accordo con Daland nel suo sempre denso e arguto blog Proslambanomenos. Sentendo Siegmund viene davvero voglia di gridare "Aridatece l'Heldentenor!", però il resto della compagnia tiene bene e la musica, be', la musica è maledetta: ti seduce e ipnotizza inchiodandoti alla poltrona in barba alle magagne, smuovendo tutti i sentimenti e le emozioni in dotazione al genere umano. C'è l'amore, quello viscerale, che riscatta l'esistenza più mutually complementary in the dark, there's revenge, resentment, fear, the conflict between necessity and mercy ... All this makes the Valkyrie episode perhaps more human whole tetralogy. And it's all a crescendo, the storm that opens the play to the poignant farewell to the beloved daughter of the god Wotan. The magic of fire that surrounds his body is one of the miracles of music history ...



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Born today: Pau Casals

On December 29, 1876 was born in Catalonia Pau Casals i Defilló (better known to the Castilian variant Pablo Casals, whom he openly rejected), one of the most celebrated cellists of Twentieth century.
After beginning his musical training with his father, organist (even though it had earmarked for a future as a carpenter) and in major conservatories in Spain, in 1895 he moved to Paris, where he was first cello in the orchestra and soloist Orchestra of the Concerts Lamoureux.
He dedicated himself with passion for chamber music, especially in the famous trio founded in 1919 with Alfred Cortot and Jacques Thibaud. Casals was a bitter opponent of the Franco regime and any dictatorship, whether fascist or communist was. After the English Civil War took refuge in the French Pyrenees, in Prades, where in 1950 founded a Festival will become an important meeting place for musicians from all over the world.
Casals died in 1973. His name is linked to the Bach Suites, which was discovered accidentally at the age of thirteen years and stably introduced in the concert repertory a decade later. His recording of the suites, the first to be made, still remains a milestone. In this movie Casals performs the first suite in an ancient abbey French



But here we have an interesting fragment of a masterclass on the suites, which also shows his proverbial irony (the famous his line when, at ninety, still turned out to study three hours per day and "start seeing some improvement").



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errors of blind faith

Hello everyone.
The best way to try to learn the mysteries of man is to listen, to converse with other people, preserving, much better than a book, the knowledge accumulated from their experiences (and not only that). The discussion leads to the emergence and develop the wealth of information in new ways, sometimes more effective than previous ones, in some cases overturning their convictions and beliefs. This inner revolution is because too often a knee-jerk reaction to defend against malfondate their ideas and this blind faith in the truth turns provocative, common sense in ostentation, the truth in artifice.
The reason is not the only means, perhaps, to get the truth so that the man always craves and I think that as long as you only confide in this or in their belief it is doomed to fail.

Frank

Am I Lucky To Be Beautiful Or Not

Puer natus est

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Merry Christmas to you all!

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Handmade Greetings

I have to thank Claudia. From its beautiful blog, which is now a few months ago one of my favorite books, I got the idea to create special Christmas gifts. Accomplices an old friend and experienced sewing machine, I have prepared the bouillottes .

I've got one of those Swedish filled with grain, which are found in pharmacies. During the winter is really a holy hand, especially when you get there to rest and his gentle warmth is just what it takes to send in a direct route into the arms of Orpheus. Claudia
That, however, is even better, because the padding is enriched with dried flowers of lavender and chamomile. You should feel that while preparing perfume! The satisfaction, then, to wrap their hands with something so beautiful and so good is priceless. Not felt for a long time ... thanks, Claudia!

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Hallelujah!

Which song is the famous Christmas Handel's Hallelujah?
Last year, if you remember, I had posted here a ' execution of this chorus is intended to strong stomachs. And so that you can just say it tasted all the sauces (including ketchup and mayonnaise) look here ... is it really true that music always amazes and anywhere



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Brief reflection in verse

not judge.

Where you live is soltanto un piccolo angolo di questa terra.

Per quanto giungano lontani i tuoi occhi,

essi racchiudono poco;

al poco che odi

aggiungi la tua voce.

Con cura conservi da parte

bene e male, nero e bianco.

Invano tu tracci una linea per segnare il limite.

So what if some men are good and others are not?

are all travelers in the same way.

not judge.

Alas, time flies away,

and every word is vain.

Tagore

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The Christmas tree of Liszt



In 1882, Liszt published a collection of twelve pieces entitled "Christmas tree", dedicating it to his nephew Daniel. As the composer wrote to Princess Carolyn Sayn-Wittgenstein, these songs meant to be "simple echoes" of "youthful emotions", with no special demands virtuosic compositional sophistication or sophisticated.
But, you know, Liszt is a sort of King Midas who turns to gold (sometimes too gold) almost everything. So even this Christmas anthology is a succession of delicious goodies where peeps around the colorful world of the author. There are flashes of virtuosity (6. Carillon), parentheses tenderness (7. Lullaby), moments of childlike joy in pure Schumann (5. Lighting the candles on the tree), solemn prayers to the tune of old traditional songs (such as Psallite of 1 or Adeste fideles leading the march of the Magi No.4). There is even the melancholy of days beyond (No. 10, once) and a fiery tribute to Hungary (No. 11, In Hungarian Style) and Poland (No. 1 in the Polish style), country, respectively, author and Princess Caroline, with whom years earlier Liszt had reached a pitch from the altar.
On YouTube you can find all the songs, performed by an interpreter of choice Liszt, Leslie Howard. Here I propose to listen to the No 3, "The shepherds at the manger, where a soft ostinato" ministry "will accompany the traditional In dulci jubilo : if you do not feel the ending is a delight, where Liszt - an image of unbridled piano virtuosity - manages to evoke the innocent wonder a crib with two notes on the cross!



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Fantin Luca Scarabelli / Marco Rambaldi / Michele Spanghero

Sunday, December 19, 11.30, Casabianca will be inaugurated in the third exhibition of the cycle devoted to the comparison between three artists who started their research, respectively, in the eighties, ninety-two thousand. Luca Scarabelli, from some tiles taken from his study, presenta un progetto di autoritratto i cui vari elementi troveranno la forma compiuta solo nel momento del loro ingresso a Casabianca, lasciando quindi all’imprevisto la responsabilità di determinare il riconoscimento di sé in sintonia con una logica dello scostamento. Anche Marco Rambaldi con Opening stratifica un lavoro in divenire dove, coinvolgendo lo spazio e il pubblico dell’arte nei momenti delle inaugurazioni, innesca un meccanismo di autoreferenzialità che produce una mise-en-abime fra ciò che stiamo guardando e ciò che è stato già visto e agito. Michele Spanghero, impegnato in un percorso caratterizzato dalla ricerca sonora, invita i visitatori a modificare la propria esperienza della gallery, creating a second level of perception through the use of the structure of sensory Casabianca as a vehicle where you can blend vision and hearing.


Catalog Luca Scarabelli / Marco Rambaldi / Michele Spanghero, 12/19/2010

Casabianca

Zola Predosa, via Pepoli 12

until Sunday, January 16 - by appointment 347 2627442

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The wonder and enchantment of Christmas in the music of Messiaen

Olivier Messiaen, of course, was animated by a deep faith, who also provided the inspiration for much of his work.
In 1944, while violence raged on the war Paris, Messiaen wrote an impressive series of piano music of life more than two hours: These are Vingt Regards sur l'enfant Jesus . Debussy sounds in these songs are intertwined with complex compositional styles based on the use of leitmotif and manipulation of rhythmic-harmonic schemes. The result is enormous: the music of Messiaen transmits the force of passion that permeated his faith. In the song Première communion de la Vierge the enchanting sounds of birdsong crystal ornaments merge with the first heartbeat of the baby Jesus in his mother's womb creating a miraculous wonder.



even more rarefied atmosphere is created dall'impasto sapiente dei registri nelle composizioni organistiche di Messiaen (che infatti era organista di professione). In questo interessante filmato, il compositore improvvisa sul motivo gregoriano Puer natus est per interpretare le emozioni dei magi che, guidati dalla stella, si recano ad adorare il fanciullo divino.



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To a friend far away to the Immaculate

Il tuo blog è fermo esattamente a un anno fa. Il tuo volto mi sorride dalla pagina di Facebook. I tuoi racconti, le tue poesie ci saranno sempre.
Quanto mi manchi, amica mia. Quanto mi mancano la tua umanità, la tua intelligenza, la tua disperata volontà di guardare in faccia knowing that things would have crossed dangerously empty for many consciences.
Sometimes I try to believe you're on the road again, in one of those distant countries that you really like to peer with an ocean and the sun to caress your skin encrusted with salt.
In fact, this was your longest trip. And wherever you are, I hope you have found peace at last.



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Music: Maria durch ein Dornwald ging

I had posted last year, but will take it back because it is one of the Christmas carols that I love most: the melody is beautiful, the text even more, with the beautiful image of the oak forest that genera rose laddove la Vergine partorisce suo figlio.

Maria went through a thorn forest, Kyrie eleison.

Maria went through a thorn forest, which has taken seven years in a leaf.

Jesus and Mary.

what Maria was wearing under her heart? Kyrie eleison.

A small child without pain that Mary wore at her heart.

Jesus and Mary.

have since worn the roses thorns. Kyrie eleison.

As the young child through the forest getragen, haben die from Dornen Rosen getragen.

Jesus und Maria.

Mary goes to a forest of oaks, Kyrie Eleison.

Mary goes to a forest of oak trees for seven years had not generated a leaf.

Jesus and Mary.

What brings Mary in her womb? Kyrie Eleison.

Maria brought a small child without pain. The shaking in his heart.

Jesus and Mary.

There the oaks have created roses. Kyrie Eleison.

When he raised the baby in the forest, the oaks have raised roses.

Jesus and Mary.

اميلي18

Ear training

* For those who want to learn about the Web is a inexhaustible source of information: from points to mesh tutorial videos that explain how to play an instrument, you can really indulge. One of the more interesting blog post Violinistivùvùvù dotcoms indicates a range of toys online for ear training and musical memory. For those who sing or play an instrument that needs to be given, this type of training is essential. And the other musicians ... too. Obvious that games like these have their limitations, but it can be nice to beat other ways besides the classical musical dictation.

For heading of music dedicated to Christmas, I propose to you a classic Advent (preferably one follows in the eighth before Christmas): the hymn Veni veni Emmanuel . This is a chant of the French XV century, on a text more ancient, perhaps dating from the eighth or ninth century. There are many versions created from this beautiful melody, especially in Anglo-Saxon countries, where the hymn is very popular (just look at how many versions on YouTube or as O Emmanuel ).

I propose the musical transposition of Zoltan Kodaly (pronounced Kodai, as it reminded me of my demanding teacher of choral singing!), Hungarian composer of the twentieth-century culture truly encyclopedic, that it worked very well in education, especially for choral music (the author of learning system based on speech "do mobile", filmed in Italy by Roberto Goitre). In his version of the ancient melody is covered with new harmonies with the effects of unprecedented beauty. And as for ear training must do well to sing this song ..




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Patrizia Giambi / Alessandra Andrini / Daniela Manzolli

Domenica 28 novembre, dalle ore 11,30, si inaugura a Casabianca la seconda mostra del ciclo dedicato al confronto fra tre artisti che abbiano iniziato la loro ricerca rispettivamente negli anni ottanta, novanta e duemila. Nel suo intervento, Patrizia Giambi innescherà una prassi cerimoniale di cui possono servirsi le comunità per non soccombere, quando sono gravemente minacciate da un destino avverso: la consumazione di un rito apotropaico, in un luogo dell’arte, con gente dell’arte, illuminerà una soglia da attraversare for a new beginning. Alessandra Andrini develops a long research to undermine the eyes of the average daily behavior to trigger a mechanism that produces a second level of thought. On this occasion, the usual comparison with the spaces of the city, replacing the one with the typical rural architecture as that of Casabianca. The three works by Daniela Manzolli pay homage to the artistic techniques through subtle rhetorical shifts: a video capturing the last remnants of an old song now becoming valuable sound document, installation of waste is generated by the production of a design that does not exist, small sculptures made with the traditional wax lost open to the territories of the readymade.

Catalog Patrizia Giambi / Alessandra Andrini / Daniela Manzolli, 11/28/2010

Casabianca

Zola Predosa, via Pepoli 12

until Sunday 12 December - by appointment 347 2627442

The Control For My Extigy

et alia First Sunday of Advent

E 'on the first Sunday of Advent: Christmas is finally getting closer and closer and I can not wait to be able to enjoy the holidays in the quiet of our new home.
the meantime, each week I'll post some Christmas music that has inspired composers from different eras. For all music lovers british incominciamo da Ralph Vaughan Williams (1872-1958), con alcuni brani tratti dalla Cantata "Hodie". Un linguaggio musicale molto 'cinematografico', ma bisogna iniziare alla grande, no?



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Just in time teaching

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Disney Animated Talkinglamp

All'inizio dell'anno ho tenuto una serie di incontri sulla musica del Risorgimento presso alcune scuole dell'alto mantovano. E' stata un'esperienza molto impegnativa e molto stimolante perchè dovevo proporre a ragazzi quasi totalmente digiuni dell'argomento concetti di sociologia musicale piuttosto complessi.

Durante il path, then, are not unexpected also happened recently, like the time that thieves have stolen all the multimedia content on the night before class and come to school, I had to speak off the cuff for an hour of shooting a cameraman a few feet from the nose (surprise!) with only the help of a CD that luckily had with me, because the PC and the projector remedied on the spot did not work (live Windows!).
In that moment I was reminded of the definition that gives the Levi-Strauss bricoleur in "The Savage Mind", a definition that I think fits very well to the teaching profession:

The bricoleur is capable of perform a large number of different tasks, but unlike the engineer, he makes them the possession of raw materials and tools conceived and procured expressly for the realization of his project; (...) for him, the rule of the game is in ' adapt equipment always available ...

Fortunately, the first "equipment" teachers are the students, many or few, prepared or not, they can always surprise you by making each class unique.
A summary of that meeting (unfortunately were cut interventions favoring boys) this has been available on YouTube Video Gazzuolo Centre, which had carried out the shooting, although I hate to expose myself all'attenzione generale, è un bel ricordo di quel 'bricolage' che amo tantissimo, che è la mia professione

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S. Hawking's Universe

Hello everyone.
Today I propose a very good documentary, created and produced by world-famous physicist S. Hawking, addressing the fantastic possibilities of time travel and the opportunities that advances in technology we can offer in this regard.
I wish you a good vision, Frank


S. Hawking's Universe

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The Shop Borders celebrated its 100 years.

PRESS

Borders Fine Arts: "100 years of color in Rome." La Bottega

Borders celebrated its 100th anniversary with an exhibition:
"The trades of Rome."

Thursday, November 18 12:00
From November 18 to 25

La Bottega Borders celebrated its 100th anniversary with an exhibition: "The trades of Rome", a show that has had starring lovers of 'art professionals and artists bound together by their passion for the preservation of the ancient works of the eternal city. The exhibition, sponsored by the Historical Shopping together Mountains to TV with the sponsorship of the Ministry for Arts and Cultural Affairs, the Department of Cultural Affairs and Communication and the Association of Roma Capitale Dealers Fercoverin Confcommercio was aimed to raise awareness of the institutions for the Protection of shops history that are slowly disappearing. Attend the President of the Culture Capital of Rome, Federico Mollicone, for the occasion to deliver a plaque on the Borders family. In 1967 the business was awarded the gold medal for loyalty in the workplace and economic progress by the Chamber of Commerce, since 2003 the shop was declared cultural heritage of Rome, members of the Association is historical store and shop since 2007 Authority Art. "Colorao this is the definition that we love most - says Claudio Borders - making the idea of \u200b\u200bwhat he had to play our great-grandfather Augustus Borders, in 1910 when he began this activity in the heart of Rome in Rione Esquilino". The experience and commitment of four generations of master Colorao are still made available to those who wish to express their creativity through: the color, design, in a word, art. The Borders store, with its 100 years confirms its role as a place, where the couple wanted to be artists. La Bottega Borders celebrated its 100th anniversary with an exhibition: "The trades of Rome", a show that has had starring professional painters and art lovers bound together by their passion for the preservation of the ancient works of the eternal city. The exhibition, promoted by the historical shops along with TV Mounts under the patronage of the Ministry for Arts and Cultural Affairs, the Department of Cultural Affairs and Communication and the Association of Roma Capitale Dealers Fercoverin Confcommercio was aimed to raise awareness of the institutions for the preservation of historic shops that are slowly disappearing. Attended the Commission President Cultura di Roma Capitale, Federico Mollicone, che per l’occasione consegneranno una targa al merito alla famiglia Bordi. Nel 1967 l’attività ha ottenuto la medaglia d’oro per la fedeltà al lavoro e per il progresso economico dalla Camera di Commercio, dal 2003 la Bottega è stata dichiarata bene culturale della città di Roma, è iscritta all’Associazione Negozi Storici ed è dal 2007 negozio Art Authority. “Colorai questa è la definizione che più amiamo - afferma Claudio Bordi – rendendo l’idea di quello che doveva svolgere il nostro bisnonno Augusto Bordi, quando nel 1910 iniziò questa attività nel cuore di Roma, nel Rione Esquilino”. L’esperienza e l’impegno Colorao of four generations of teachers are still at the service of those who wish to express their creativity through: the color, design, in a word, art. The Borders store, with its 100 years confirms its role as a place, where the couple wanted to be artists.

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AMORE

A hug to all supporters of the Airway.

We believe more and more in what we do and we owe it especially to you who are always with us, both with critics and with love.

AIRWAY

Sabbateanism Masonic Enlightenment

Cesare Viel / Sabrina Torelli / Emanuela Ascari

Sunday, October 31, from 17 to 20, will be inaugurated in Casabianca the first exhibition of the cycle devoted to the comparison between three artists who started their research, respectively, in the decades of the eighties, ninety-two thousand. Cesare Viel * has made Day and night action that comes unexpected sound, a voice that is not clear if you ask us, or simply in itself, if it is a stumbling block, a rhythm or a request. Sabrina Torelli in ** During the day we do not see the stars reflected on that universal field that, while permeating not only the space, but all beings living and inanimate objects, can not be heard when it must confront the powerful impressions of the physical senses, but persists in its immanence. A number of elements in nature, were collected, processed, restored, carved and painted as a synecdoche of man and nature that are simply a reflection of the cosmic forces that act on the planet forever. Emanuela Ascari, having stripped parts of the ramifications of groundwater Casabianca with an archaeological excavation that shows connections with the water element, with the gas and electricity, has turned to the extracted material, the ground beneath our feet, in a meticulous job of identifying each element che compone questo strato, come riappropriazione di una conoscenza andata perduta in anni di allontanamento da questa materia vitale.

* per il lavoro di Cesare Viel si ringrazia Galleria Pinksummer, Genova

** per la terra alluvionale del Po utilizzata da Sabrina Torelli si ringrazia Francesco Fonti - Fornace Fonti, Grignano (Rovigo)

Catalogo Cesare Viel / Sabrina Torelli / Emanuela Ascari , 31-10-2010

Casabianca

Zola Predosa, via Pepoli 12

fino a sabato 20 novembre - su appuntamento 347 2627442

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The rooms Dzyan: presentation

Hello everyone. The
" Shloka of Dzyan " date back to remote antiquity and hold the deepest secrets of our universe: the Cosmogenesis , which consists of seven rooms with 53 verses and the Anthropogenesis , formed by 12 rooms with 49 verses. The
Shloka of Dzyan are first presented by HP Blavatsky to the West through the 7 volumes of the "Secret Doctrine " claimed to be the esoteric been tasked by his masters of the East - Initiates the esoteric truths - to spread knowledge to drive part of the ancient Catholic superstitions and nihilistic theories of time, both products of ignorance about the events recounted in the symbolic Oriental volumes.

\u0026lt;\u0026lt;'s book, "writes Madame Dzyan Blavatksy-not in possession of European libraries and scholars of the West have never heard of: well it exists and is kept in a place inaccessible to the curiosity of even the most daring observer >>; continues with a description of the manuscript the original is held by the Occult Hierarchy, watched by her and a few other disciples: \u0026lt;\u0026lt; A manuscript archaic - A collection of palm leaves made impermeable to water, fire and air, by some special process unknown - is before the eyes of the writer. On the first page, on a matt black background, is an immaculate white disk. On the next page, the same disk, but with a central point. The book, however, several details of which it does not mention. seems to be, for example, strongly magnetized , because if an individual takes a page in hand, you see now pass before me a view of events che il libro è inteso a descrivere... "
Prossimamente analizzeremo le stanze relative alla Cosmogenesi, estrapolando le verità dal simbolismo e delineando un quadro preciso di ciò che gli Iniziati hanno custodito gelosamente per così tanto tempo.

                                          Frank

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Casabianca

Adriana Torregrossa, Alessandra Andrini, Alice Tomaselli, Andrea Nacciarriti, Anna Ferraro, Anna Rispoli, Anna Maria Tina, Annalisa Cattani/Alberto Merzari, Anteo Radovan, Arianna Fantin, Cecilia Help, Chiara Pergola, Cristian Chironi, Claire Bosi, Pietroiusti Cesare, Daniela Manzolli, Claudia Losi, Spain Daniela Musso, Davide Bertocchi, Davide Rivalta, David Tranchina, Zuelli Diego, Dragoni Russian, Elena Nemkova, Elisa Vladilo, Emanuela Ascari Emilio Fantin, Erica Fernaroli, Eva Frapiccini, Fabrizio Rivola, Federica Menin, Ferdinand Mazzitelli, Francesca Grilli, Francesco Bernardi, Francesco Finotti, Giancarlo Norese, Gianluca Cosci, Giovanna Ricotta, Giovanni Oberti, Giulia Casula, Giulia Ricci, The Prufesur, Italo Zuffi, Jiri Kovanda, Laura Lovatel, Lorenza Lucchi Basili, Luca Scarabelli, Luca Trevisani, Leuci Lucia, Luigi Negro, Luigi Presicce, Mala.arti visual Marcella Vanzo, Marco Fantini, Marco Rambaldi Marco Samorè, Maria Domenica Rapicavoli, Maria Lucrezia Schiavarelli, Maurizio Mercuri, Maffezzoni Mauro, Mauro Vignando, Michele Spanghero, Mili Romano, Monica Cuoghi, Morena Pedrini, Ottonella Mocellin / Nicola Pellegrini, Paola De Pietri, Paul Parisi, Patrizia Giambi, Petar Stanovic, PetriPaselli, Pier Paolo Coro, Rebecca Agnes, Riccardo Beretta, Rita Canarezza, Correddu Rita, Roberta Piccioni, Rocco Osgnach, Mezzaqui Sabrina, Sabrina Muzi Sabrina Torelli, Sandrine Nicoletta, Serena Porrati , Sergia Avveduti, Silke De Vivo, Simone Cesaro, Sissi, Stefania Galegati Shines, Stephen W. Pasquini, Zimmerfrei.

Zola Predosa, via Pepoli 12

until Sunday, October 24 - by appointment 347 2627442

Sunday, September 26, from 18 to 20, opens the new exhibition space Casabianca, a project Radovan nonprofit Antaeus in the countryside outside Bologna, deliberately oversized with a group in which a series of speeches established artists over time and new hypotheses. Casabianca, space peripheral to the usual joints, will be a gallery where the domestic dimension, relational and research will attempt to live together. Starting in October, the last Sunday of each month compared to three artists will make a Casabianca artistic career began in the late eighties, one in the mid-nineties and a search begun recently looking affinity ramifications, tangents.

to see photos of the inauguration


Casabianca to offer this online catalog. It is our intention, the catalog is expected to grow from now until October 31, the day after the inauguration of the exhibition, through contibuto of critics that we can engage. They will choose the work on which to write. So we can not know if in the end we will have a text for each work. We apologize in advance.
Antaeus
casabianca 26-09-2010

dov'è Casabianca:

da Bologna (o dall'uscita dell'autostrada bologna-borgo panigale) prendete la via Emilia verso Modena. trovate subito una rotonda con il monumento dell'omone metallico che tiene sulle spalle un camion e lì andate a sinistra .

avanti 1 km, passate un curvone sotto un ponte, e trovate sulla vostra destra l'impresa Eternedile: subito dopo andate a destra e passate un ponticello minuscolo.

on a 100 m then turn left by Tiber

continue ahead for about 1km, some corners, and go left by Pepoli (a major road is unpaved)

below 100 m (behind Palace hotel), when you see the fence go to a riding left and then to the end: you've got

info@casabianca12.it
casabianca12.info @ gmail.com

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COURSES 2011 Start September 20, 2010

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OFFERS CENTENARY

- Maimeri Oil Colors 60 ml. -10%
- Canvas Gallery 100% cotton and linen frame chosen
-20% - Extrafine Maimeri Gouache - 50%
- Oil & Lefranc Bougeois - 50%
- Sketch Blocks to pull 50 sheets glued on his head from € 2.90
- Acrylic Polycolor jar of 140 ml 10%
- Deco Glass Volume Ferrario - 20%
- Mission Gold 1 liter water - 10%

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100 YEARS .... AND NOT HEAR

Our shop does 100 years of activity this year and among the arts and cultural initiatives within the store offers a offers a rotating series of products for fine art, oil, acrylic, tempera extrafine, canvases, easels etc. The purpose, besides being purely celebratory, is to bring a new and larger customers to shop Besides being provided for all products by sector specialists provides consultancy to 360 degrees.

The sales activities of the store, remembering the old mesticheria that still takes place, pushing towards new and modern systems becoming known through the web and more recently with Facebook, giving the client the possibility to order products via mail payment in cash or bank and home delivery.

Tradition and technology, love of family and dedication to the customer have been, and will have today to get our solid foundation, we hope far away in time.

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L'ETERNITA'

The human being is like a very fast stream of light that goes through life without ever stopping.

The way to impress their brightness is the art.

Art is the medium that enables man to immortalise their shining path.

Michelangelo never died, because "David" has never ceased to shine, that form of marble so fine if the track carries sfiorirà a genius that never, not even in ages to come.

Ale - Airway

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BACKSTAGE DEL VIDEOCLIP!

Hello guys!

yesterday we shot the video for new single with the director Stefano Bertelli.

We leave the backstage photos!

The album is getting closer!

you soon!

AIRWAY